Educational Poster Puzzles

Adolphe Millot Puzzles

Adolphe Millot (1857–1921) was chief illustrator at the Muséum national d'Histoire naturelle in Paris, and his plates for the Nouveau Larousse Illustré are among the most reproduced natural history images ever made. If you have seen a page of butterflies or mushrooms ranked on white with small French names lettered beneath, you have almost certainly seen his work.

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  • Jigsaw Puzzles

    Adolphe Millot Mushroom Classification Jigsaw Puzzle

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    Adolphe Millot Flower Classification Jigsaw Puzzle

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    Adolphe Millot Insect Classification Jigsaw Puzzle

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    Adolphe Millot Fish Classification Jigsaw Puzzle

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    Adolphe Millot Bird Illustration Jigsaw Puzzle

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    Adolphe Millot Flower Classification Jigsaw Puzzle

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    Adolphe Millot Flower Classification Jigsaw Puzzle

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    Adolphe Millot Butterfly Classification Jigsaw Puzzle

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    Adolphe Millot Feathers Classification Jigsaw Puzzle

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    Adolphe Millot Butterfly Classification Jigsaw Puzzle

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    Adolphe Millot Mushroom Classification Jigsaw Puzzle

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    Adolphe Millot Vegetable Classification Jigsaw Puzzle

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    Adolphe Millot Reptiles Illustration Jigsaw Puzzle

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    Adolphe Millot Ocean Illustration Jigsaw Puzzle

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    Adolphe Millot Mollusc Classification Jigsaw Puzzle

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    Adolphe Millot Flower Classification Jigsaw Puzzle

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    Adolphe Millot Algae Classification Jigsaw Puzzle

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    Adolphe Millot Crustacean Classification Jigsaw Puzzle

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  • Jigsaw Puzzles

    Adolphe Millot Mushroom Classification Jigsaw Puzzle

    from GBP £22.99
  • Jigsaw Puzzles

    Adolphe Millot Reptiles Illustration Jigsaw Puzzle

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  • Jigsaw Puzzles

    Adolphe Millot Oceanography Illustration Jigsaw Puzzle

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  • Jigsaw Puzzles

    Adolphe Millot Flower Classification Jigsaw Puzzle

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About this collection

Adolphe Millot (1857–1921) was chief illustrator at the Muséum national d’Histoire naturelle in Paris, and his plates for the Nouveau Larousse Illustré are among the most reproduced natural history images ever made. If you have seen a page of butterflies or mushrooms ranked on white with small French names lettered beneath, you have almost certainly seen his work.

His method is consistent across every subject. Specimens are arranged close but never touching, each given exactly the space its outline needs. Scale is abandoned entirely — a shrimp and a lobster take comparable room, because the plate exists to show form rather than proportion. And the white ground is never merely blank; it is what separates one figure from the next and holds the whole page together.

He was a lepidopterist himself, which shows: the insect and butterfly plates are drawn with an attention that only a specialist would think to give. Framed, these read as design as much as science, and they hang beautifully as numbered sets of two, three or four.

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